The character of Ernesto de la Cruz is important because in him the iconic images of at least two of the most popular Mexican singers in the cinema are evoked: Pedro Infante and Jorge Negrete. Thus it is possible to identify elements from the Día de los muertos celebrations in Mixquic (Mexico City) and in Pátzcuaro (Michoacán).įor the English version, an actor of Latin descent, Benjamin Bratt, was chosen to voice Ernesto de la Cruz, the film’s main antagonist, while the Spanish version featured the Mexican singer and songwriter Marco Antonio Solís, a.k.a. For this film, instead of using Pixar´s technique of world-building, like in Monsters Inc., director Lee Unkrich relied on several research trips to Mexico and personal stories from Mexican team members. Coco shines it takes on the colors of the Día de los muertos. Entire families gather in the warmth of the home to pay homage to their deceased and to remember past times placing la ofrenda (an offering) that usually is made of cempasúchil flowers ( Tagetes erecta), food (such pan de muerto, candies, mole, tamales, and so forth), candles, pictures, incense known as copal, and several other objects. The idea of the offering is that of a welcoming for those souls that visit the world of the living once a year. Día de los muertos is a day in which both the streets and homes are filled with light and color, music and flowers, and, above all, offerings, which indicate that the people that we love have not been forgotten. For this, it draws from the folklore and culture of the Mexican celebration of Día de los muertos, a tradition that happens every 1st and 2nd of November. Pixar has embarked on the difficult business of explaining to children the complicated subject of death. I am interested in explaining how the processes of memory and forgetting are relevant in Coco beyond life and death as central topics of the film.Ĭoco is a film about death, life, and family legacy,all articulated through music. In this essay, I am interested in reviewing the codification of sound culturally speaking, rather than the specifics of the music itself. ![]() Intriguingly, the version released in Mexico was not the dubbed version of an English language original for the first time, Pixar produced a film in Spanish featuring the vocal stylings of popular Latin American performers. I became interested in seeing Coco when I learned that two versions had been made in terms of editing and post-production: one for Mexican and Latin American audiences and one for the U.S. I did not want to see a movie that would make me cry. My reticence to see Coco was caused by the multiple comments and the innumerable tears and wails the film provoked from several of my friends. Since my son was born we have watched every children’s film that has come out and some of them, I must confess, I have enjoyed. ![]() Just minutes after the clock hit 11:30 p.m., and following two of his biggest titles “Si No Te Hubieras Ido” and “Donde Estará Mi Primavera,” Solís thanked his loyal fans for singing with him and wished the crowd “a lot of inner peace.I resisted as long as I could before going to see Coco (Pixar, 2017). I love music and lyrics, and it’s truly a beautiful career blessed by the grace of God.”Ĭelebrating a 40-year trajectory, Solís’ “street studies” shined far beyond his powerhouse vocals: he played the guitar, played the piano, played timbales, and danced to every rhythm.ĭuring the concert, where he was accompanied by a 15-member band and four beautiful dancers, Solís performed some of his all-time corta-pulso classics such as “Invéntame,” “Como Fui a Enamorarme de Tí,” “Si Te Pudiera Mentir,” “Mi Eterno Amor Secreto,” “Tu Cárcel” (which he wrote during difficult times), and “La Venia Bendita” (which he says was the fastest song he’s written - in just three hours - because he was, and still is, in love),” among others.Įl Buki Tour is not only charged with heartfelt ballads but it’s also equipped with hip-swaying, shoulder-shaking dancing tunes liked “Morenita,” “El Perdedor” and “Más Que Tu Amigo,” to name a few. ![]() “I have little academic studies,” he admitted during his show. Wearing a shimmery, sequined pant and blazer set, Solís continued to sing songs such as “Nada Que Me Recuerde a Ti,” “Dios Bendiga Nuestro Amor,” and fan-favorites from Los Bukis’ such as “Falso Amor” and “Y Ahora Te Vas.” Today with technology, what I value most is presence,” the Mexican balladeer said. “Let us thank the heavenly father for this moment. Chris Stapleton & Snoop Dogg Reimagine 'In the Air Tonight' for 'Monday Night Football' Theme Song
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